Showing posts with label pains of being pure at heart. Show all posts
Showing posts with label pains of being pure at heart. Show all posts

Thursday, May 26, 2011

Best of the year, so far

We're half way around the sun, again, folks. It's a distance that has an uncanny effect on music nerds: we feel cosmically possessed to chronicle which albums provided the best space-travel music. In order, are my favorite records of the year so far.

1. Tune-Yards "W h o k i l l"
Merrill Garbus takes a gimmick (sampling and looping her own voice) and built actual songs with killer horns, Afropop percussion, ukulele, bass and guitar to make the half-year's best and most original album.

2. Yuck "Yuck"
UK brats use equal parts Teenage Fanclub, Pavement and Dinosaur Jr. for their debut, throwing back to a decade we all wish it still was — the '90s.

3. The Pains of Being Pure At Heart "Belong"
Twee American boys and girls move from the '80s noise pop (The Jesus and Mary Chain, Black Tambourine) of their debut to make album more indebted to the Smashing Pumpkins, without losing their earnest vulnerability. Hey remember Silversun Pickups? This is better.

4. Fleet Foxes "Helplessness Blues"

Singer-songwriter Robin Pecknold averted a sophomore slump by ditching a whole batch of songs originally penned for this album. His band kept fans on ice with the three-year gap between records, but it was wort it — "Helplessness Blues" overflows with folk mysticism and powerful vocal harmonies.

5. Smith Westerns "Dye it Blond"

Mott the Hoople's poppy brand of glam-rock is the obvious reference point for these young Chicagoans' hazy second LP.

6. The Decemberists "King is Dead"

Portland's folk-rock institution ditches their temporary foray into concept albums and prog-rock to turn in their tightest set, finding inspiration in early R.E.M, Tom Petty and country.

7. The Antlers "Burst Apart"

Like "Hospice," the band's 2009 opus on loss and coping, "Burst Apart" is an atmospheric slow-burn built around swirling keyboards, subtle guitarwork and singer Peter Silberman's heartbreaking falsetto. It's best enjoyed with headphones.

8. Wye Oak "Civilian"



9. Toro Y Moi "Underneath the Pine"
Chazwick Bundick brings the disco-and-funk indebted dance jams via live instrumentation, largely leaving behind the synthesizers of his debut.

10.
Kurt Vile "Smoke Ring For My Halo"
Scraggly singer-songwriter Kurt Vile has a knack for burrowing in over time, and is lucky to inherit the quiet sneer handed down by Bob Dylan and Lou Reed.  This record's a grower, but you'll keep coming back once the melodies reveal themselves.

11. Fucked Up "David Comes To Life"
Pink Eyes and crew turn out another set of intelligent hardcore. The new record is a concept album. Like the best concept albums, the individual songs don't collapse under the weight of the central conceit.


The best of the rest
J. Mascis "Several Shades of Why"
Radiohead "The King of Limbs"
Panda Bear "Tomboy"

Need more time
Okkervil River "I Am Very Far"
Iron & Wine "Kiss Each Other Clean"

Out soon
Black Lips "Arabia Mountain"
Cults "Cults"
My Morning Jacket "Circuital"
Bon Iver "Bon Iver"



Haven't heard yet
R.E.M. "Collapse into Now"
Ponytail "Do Whatever You Want All The Time"
TV On The Radio "Nine Types of Light"

Thursday, July 16, 2009

Pitchfork Music Festival

Of course, several of the bands I most want to see at this weekend's Pitchfork Music Festival are playing at the same time, so I'll be seeing some half-shows. But, one of the biggest advantages of the P4k fest is it's condensed lineup that stresses quality over quantity — at a reasonable price. There are only two bands playing at any one time, as opposed to 4 (like Bonnaroo). Plus I won't have to dodge trust-fund hippie acts cluttering every other stage. Instead I'll have to watch my back for scarfed trust-fund brats riding around on fixed-gear bicycles.

I plan on taking some pictures, and maybe some short videos.

Bands I don't plan on missing:

SATURDAY, JULY 18

8:30 The Black Lips (I will probably have to skip the National, they play at 8:40. Oh well, I see them as more of a sit-at-home-with-the-headphones kind of band rather than a jump-in-the-heat-and-sweat-all-over-your-neighbors kind of band. And who would want to miss the dissolving depravity of a Black Lips show. It's rock 'n' roll devil's music with all the fun and dirt and stink of the garage. )




5:30 Wavves (He had an onstage breakdown a few weeks ago in Europe, and then broke his wrist skateboarding this week. We'll see how well the lo-fi train wreck plays out.)

4:30 Ponytail (Orgasmic screams bellowing from a petite art school student backed by post punk guitar riffing and swirling? Sounds good to me.)

3:35 Bowerbirds (In a festival concert setting, I like big loud guitars and concussive drumming more than mellow, female/male singer-songwriter duos, but their album is tits. I'll probably just leave the Pains of Being Pure at Heart show 15 minutes early to catch the last few songs from this boyfriend/girlfriend team.)



3:20 The Pains of Being Pure at Heart (A Pitchfork-endorsed act with a gag-inducing name? Check. Abuses all the "correct" influences at just the right time to be "hip"? Check. Do I like them anyways? A little bit.)

2:30 Fucked Up (Hell yeah, Pink Eye and his other misfits are going to destroy. Too bad I'm going to be too tired after this show to enjoy the rest of the day.)




SUNDAY, JULY 19

8:40 The Flaming Lips (nothing to say here. The put on a fucking spectacle.)

7:25 Grizzly Bear (The first half of their new album, "Veckatimest," is pretty awesome. The rest? Puts me to sleep. Either way, I'll wanna catch a little of the most blog-buzzed band of the year)

6:30 Vivian Girls (Along with Grizzly Bear and the rest, P4k might as well be called Brooklyn Weekend: Chicago Addition. Oh well. These girls ain't too shabby.



5:30 Japandroids
5:15 The Walkmen

(This is the scheduling conflict I'm most pissed about. I've worn out my copy of Japandroids 2009 full-length debut "Post-Nothing," and the Walkmen's "You and Me" is one of my favorite records (and classiest) of '08. I figure since Japandroids only have one full length, and the Walkman have half a dozen, the latter's show will go quite longer. So they should have scheduled Japandroids first, so you could start there an then move on. Oh well.)










4:15 The Thermals (This is my most heavily anticipated show. I'm going to injure myself. Hopefully the set is "The body, the blood, the machine" heavy.






2:30 Blitzen Trapper (Some roots-rock will be a nice change of pace from the rest of the noise damagd, post punk fair filling the lineups here. Plus, Blitzen Trapper rule. Will be a good start to day number two.