Internet music finds of the day:
1. Japandroids are going release a series of 7-inch singles this year to tide over fans. Hear the first one, streaming here:
http://pitchfork.com/news/37860-japandroids-announce-singles-series/
2. Afro/UK bangers The Very Best are offering a remix of Yeasayer's standout single "Ambling Alp" here, with Esau Mwamwaya going "nuts over top":
http://www.thefader.com/2010/02/11/premiere-yeasayer-ambling-alp-the-very-best-mulomo-remix-mp3/
3. She and Him perform "Thieves," from their upcoming follow-up to Vol. 1, live on BBC radio.
http://stereogum.com/archives/she_him__thieves_live_on_bbc_113991.html
4. Online music 'zine Tiny Mix Tapes did the right thing and actually waited for 2009 to end before unveiling its best-of-the-decade list. It's releasing 20 entries of the list per day. Today they have finally gotten to 40 through 21. TMT typically veers more obscure than Pitchfork, which means as they get to the top of the list, I'm actually recognizing more and more of the albums. In at number 40 is the Avalanches "Since I Left You," one of my personal favorites (even though I didn't discover it until almost 10 years after it was released.)
http://www.tinymixtapes.com/features/favorite-100-albums-2000-2009-40-21
5. Bonnaroo announced it's lineup this week and will now officially be known as "Bro-nnaroo."
http://www.rollingstone.com/rockdaily/index.php/2010/02/09/bonnaroo-2010-lineup-rolls-out-weezer-jeff-beck-the-flaming-lips-and-more/
6. This video has been all over the interwebs today, and it's pretty great. Brooklyn by-way-of SF retro-pop outfit the Morning Benders got all their old Cali friends into the studio and recorded a Phill Spector Wall-of-sound version of their track "Excuses."
http://stereogum.com/archives/video/the_morning_benders_excuses_chris_from_girls_john_vanderslice_114041.html
This clip has also introduced me to the site http://yourstru.ly/
Showing posts with label yeasayer. Show all posts
Showing posts with label yeasayer. Show all posts
Thursday, February 11, 2010
Wednesday, January 27, 2010
NEW YEASAYER TRACK (Updated)
Download a new track from Yeasayer's sure-to-be mind-blowing new album "Odd Blood," out Feb. on Secretly Canadian, here:
UPDATE: Upon further review, I don't like this track nearly as much as the first single released, "Ambling Alp," one of the best tracks of all of last year. Still pumped for the decidedly '80s leaning full-release next month.
UPDATE: Upon further review, I don't like this track nearly as much as the first single released, "Ambling Alp," one of the best tracks of all of last year. Still pumped for the decidedly '80s leaning full-release next month.
Labels:
o.n.e.,
odd blood,
secretly canadian,
yeasayer
Thursday, November 26, 2009
It's gonna be cold outside and warm as hell in my recliner (UPDATED 11/27)
Early 2010 looks to be a great time for music fans. Spoon will continue its current four-album winning streak with "Transference," Vampire Weekend will try to avoid the sophomore slump with "Contra" and LCD Soundsystem will drop his follow up to 2007's mind blowing "Sound of Silver" on unworthy boys and girls.
Get yr credit cards ready, as I'm sure you'll all be buying each of these in CD, digipack, vinyl, cassette, 8-track and sheet music in valiant efforts to singlehandedly save the recording industry.
Yeasayer will follow its terrific 2007 debut with "Odd Blood." The album's lead single "Ambling Alp" (and it's awesome, surrealistic video) shows a new electronic take on the band's sci-fi tribe sound.
Stereogum claims the Avalanches will follow its 2001 debut this year ... here's for holding out hope. And the Hold Steady might reward is with some new tracks, too.
That's all for now, folks.
Vampire Weekend - Contra (1-12-10)
Spoon - Transference (1-19-10)
Yeasayer - Odd Blood (2-9-10)
LCD Soundsystem - TBA (3-??-10)
Get yr credit cards ready, as I'm sure you'll all be buying each of these in CD, digipack, vinyl, cassette, 8-track and sheet music in valiant efforts to singlehandedly save the recording industry.
Yeasayer will follow its terrific 2007 debut with "Odd Blood." The album's lead single "Ambling Alp" (and it's awesome, surrealistic video) shows a new electronic take on the band's sci-fi tribe sound.
Stereogum claims the Avalanches will follow its 2001 debut this year ... here's for holding out hope. And the Hold Steady might reward is with some new tracks, too.
That's all for now, folks.
Vampire Weekend - Contra (1-12-10)
Spoon - Transference (1-19-10)
Yeasayer - Odd Blood (2-9-10)
LCD Soundsystem - TBA (3-??-10)
Friday, July 31, 2009
Pitchfork Music Festival 2009 - pt. 2
Blitzen Trapper
At a hippie music festival, they are the indie band, at a indie festival, they are the hippie band. use whatever label appeals to you, but Blitzen Trapper make timeless rock and roll, with touches of folk, psychedelia, blues and even glam rock. And dudes got some pipes you don't notice until you see them live. The drummer looks like cousin it, has one of the most righteous beards of all time, and the Garfunkel-esque rhythm guitarist applied about a gallon of sun screen to his forehead.
Couple pictures:


Fucked Up
Art-damaged hardcore outfit Fucked Up have one hell of a front man. Damian Abraham made the typical stage banter actually humorous, telling the crowd the crown they are better than "that Animal Collective record, they sound like Phish." Too easy? Maybe, but shifting one's jokes to the crowd at hand isn't always easy at is it probably seams. He was grabbing the beach balls out of the air and deflating them with his teeth, eventually wearing one as a hat. Here's a quiet moment during "Crooked Head."

The Flaming Lips
The last show on the last day. Word has it they spend $5,000 on confetti, that about sums it up. It's the second time I've seen the Lips. They played a couple new songs, and some super rarities, not of which translated live that well. And they let the crowd decide (by applause) between "She Don't Use Jelly" and "The W.A.N.D." The crowd chose "Jelly." I wanted the other. Why can't we have both? They also didn't play "Free Radicals," so that sucked. But otherwise the Lips were as entertaining as ever, even if i was a mile away.


Ponytail
I don't care what my friends think, Ponytail is awesome, especially live. The post-punk guitars absolutely destroy. Sure, "singer" Molly Siegel's lyrics are all ecstatic yelps and "whooos!" and "whyatcha!" But that's the point. She is just pure joy and energy on stage, personified. The band started as an art school project that took a life of its own, after all, and her voice is just an abstract instrument. I couldn't help but smile the whole time. (Insert joke about wondering if she's a boy or a girl .... that shit's tired, grow up).
Yeasayer
before the show, I was sort of ambivalent about Yeasayer. Now I get it. Polyrythmic without losing it's groove, soulful while still digitally relevant - the band finds a happy area somewhere between TV on the Radio's poppier moments and something actually on the radio. One of the more amazing moments of the festival happened during their set, when it started dropping buckets of rain, only to stop when the band reached the chorus of it's indie hit - "Sunrise" - and the big yellow guy actually peaked his out from behind the clouds.

Grizzly Bear
I only saw part of this show. Another bedroom/ear phone band.
"Two Weeks"
Cymbals Eat Guitars
This was the first show on Saturday, and I only saw the last three songs. it was impressive enough to prompt me to order their CD. It's not only one of the best debuts of the year, it's one of the best records of the year. Not immediately as engrossing as seeing the band's energy live, the album "Why There Are Mountains" is a grower, and it's been in my car nonstop since its purchase.
At a hippie music festival, they are the indie band, at a indie festival, they are the hippie band. use whatever label appeals to you, but Blitzen Trapper make timeless rock and roll, with touches of folk, psychedelia, blues and even glam rock. And dudes got some pipes you don't notice until you see them live. The drummer looks like cousin it, has one of the most righteous beards of all time, and the Garfunkel-esque rhythm guitarist applied about a gallon of sun screen to his forehead.
Couple pictures:
Fucked Up
Art-damaged hardcore outfit Fucked Up have one hell of a front man. Damian Abraham made the typical stage banter actually humorous, telling the crowd the crown they are better than "that Animal Collective record, they sound like Phish." Too easy? Maybe, but shifting one's jokes to the crowd at hand isn't always easy at is it probably seams. He was grabbing the beach balls out of the air and deflating them with his teeth, eventually wearing one as a hat. Here's a quiet moment during "Crooked Head."
The Flaming Lips
The last show on the last day. Word has it they spend $5,000 on confetti, that about sums it up. It's the second time I've seen the Lips. They played a couple new songs, and some super rarities, not of which translated live that well. And they let the crowd decide (by applause) between "She Don't Use Jelly" and "The W.A.N.D." The crowd chose "Jelly." I wanted the other. Why can't we have both? They also didn't play "Free Radicals," so that sucked. But otherwise the Lips were as entertaining as ever, even if i was a mile away.
Ponytail
Yeasayer
before the show, I was sort of ambivalent about Yeasayer. Now I get it. Polyrythmic without losing it's groove, soulful while still digitally relevant - the band finds a happy area somewhere between TV on the Radio's poppier moments and something actually on the radio. One of the more amazing moments of the festival happened during their set, when it started dropping buckets of rain, only to stop when the band reached the chorus of it's indie hit - "Sunrise" - and the big yellow guy actually peaked his out from behind the clouds.
Grizzly Bear
I only saw part of this show. Another bedroom/ear phone band.
"Two Weeks"
Cymbals Eat Guitars
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